Audition Announcement!

From "Mischief, Broadway Masters of Comedy," comes the smash hit farce. Welcome to opening night of the Cornley University Drama Society’s newest production, The Murder at Haversham Manor, where things are quickly going from bad to utterly disastrous. This 1920s whodunit has everything you never wanted in a show—an unconscious leading lady, a corpse that can’t play dead, and actors who trip over everything (including their lines). Nevertheless, the accident-prone thespians battle against all odds to make it through to their final curtain call, with hilarious consequences! Part Monty Python, part Sherlock Holmes, this Olivier Award–winning comedy is a global phenomenon that’s guaranteed to leave you aching with laughter!

The Play That Goes Wrong is a physically demanding show.  Actors considering auditioning for this production should be in good physical shape.  Most roles will require varying amounts of crawling, climbing up and down a ladder, lifting, running, and/or falling.  There is also a carefully choreographed sword fight, repeatable hand-to-hand combat and special "handling" called for in the script.

The play has moments of stage combat and few moments of theatrical intimacy.  We will incorporate current professional standards to ensure the work will be done safely and respectfully for all cast and crew.  Renegade Players Theatre Company is committed to creating theatrical work that is consent-based and safe. 

We are looking for kind, hardworking, team first, physically adept actors who can commit to the upbeat, in-the-moment style of the play and fully inhabit the characters with an understanding of comedy with truth and humanity.  Age ranges for characters are flexible (18+) and will depend on groupings and pairings found through the audition process.  There may be some gender flexibility for roles typically male-identified.

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There are two main accents utilized in this show: American and Received Pronunciation, or RP (the instantly recognized accent often described as "Typically British").  One character must also use a cockney accent in addition to RP.

Chris/Inspector Carter:  Director of the play-within-a-play Murder at Haversham Manor and plays the esteemed Inspector Carter. This is the biggest day of his life. He is rigid and uptight. The experience of performing the show is both nerve-wracking and exciting. His pain is evident and every time someone laughs, the pain deepens.

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Robert/Thomas Colleymore:  Pretentious actor, as evidenced by his presentational style. But he’s not a parody of a bad actor, just unaware of others around him. He does not feel bad when things go wrong and never learns from his mistakes. There’s a power struggle between Robert and Chris to be president of the Cornley Poly Drama Society (a position that matters a great deal to Robert).

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Dennis/Perkins:  Has no real desire to be involved in the theatre; he just wants friends. He believes if he does well in the show, he’ll be more successful socially. Laughter from the audience is agony and a personal tragedy for him. He’s slightly oblivious, but understands when he gets things wrong.

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Jonathan/Charles Haversham:  Is a bit bland personality-wise but sees himself as a James Bond-type. Excited and having fun. He technically has to drive the show. He cares about the play, but it’s mostly just for fun for him. The role of Charles Haversham is a very physically demanding role.

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Max/Cecil Haversham/Arthur:  Has never been onstage before. He learned his lines and does exactly what he’s told to do. He has zero connection with any of the actors, but when he gets a laugh he breaks the fourth wall and engages with the audience. Childlike and naive. His mistakes are fundamental. He doesn’t think anything through.

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Sandra/Florence Colleymore:  Is vain and has a huge ego. She wants to be loved. She has ambitions to go to Hollywood and will hurt anyone standing in the way of what she wants, but is smart enough to stay on the good side of someone who can help her (like the director). The stakes are high for her. Very physical role.

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Trevor:  The play’sTD, lighting, and sound operator who simply wants to get on with the show. Doesn’t like actors and is easily distracted. When things go really sideways, Trevor is forced to act in the play.

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Annie:  The company’s stage manager. She has the biggest journey of any character. She’s initially terrified by acting, but is willing to kill for it by the end of the play. Her terror turns to joy, and then to fury. She starts small, but grows and grows.